Blackjack Players is finished.
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Blackjack Players
28" x 42" oil on linen 2012
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After some of my recent quieter color harmonies, this painting takes a different path with a rich green note amid bright reds and warm deep tones. I started the painting with a vague notion of going to red for the table, but didn't really know where the colors would take me; had no idea the woman's blouse in the center would be green. I never know these things in advance. My work may look premeditated and well-planned, but it's not as it seems; I believe the working process needs to allow the painting to freely go where it wants to go.
As for the narrative, I'm a bit amused that the expressions of the three main players may perhaps accurately reflect their feelings about the cards they've been dealt. The woman in green has a total of 13 to 16 and little hope of winning with the dealer showing an ace ... she probably should have taken one more card. The man has a 6 or 7 which may or may not turn out OK with an additional card or two. The woman on the right is in good position with a 20. Was definitely not my intention to give a lesson about blackjack and human emotion; the faces were painted before the cards were thought about ... and the individual cards were chosen purely for compositional reasons. Again, paintings have a funny way of living their own life, of knowing what they need and where they want to go. Sometimes my role
seems not to create a picture, but rather to bring a picture that already exists to light.
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Arnolfini Wedding ca. 32" x 24" oil on oak panel 1434 Jan van Eyck Collection: National Gallery, London |
One of my favorite paintings is the van Eyck above ... and maybe the beautiful green of the bride's dress surrounded by the reds and dark warm notes, gave me the subconscious inspiration to give the woman playing blackjack a bright green dress as well. I saw the van Eyck on my first trip to London in 1972 and at the time it hung in a room illuminated with a skylight. The day outside was sunny, though large fair-weather clouds occasionally crossed the sun. When I went up to the painting, the sun was behind a cloud and the light subdued. After a few minutes I'd become totally lost in the picture, when suddenly the cloud passed and the room instantly filled with brilliant light. The color of the woman's dress exploded into the essence of pure green, intense and infinite ... was an incredible experience.